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Thigh Line Lyre Triangular
''Thigh Line Lyre Triangular'' is an experimental short film by Stan Brakhage, released in 1961, which depicts the birth of the director's third child, Neowyn.〔Elder, R. Bruce (1998) ''The films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein, and Charles Olson,'' Wilfrid Laurier Univ. Press, p133-4〕〔Barr, William R. (1999) "Brakhage: Artistic Development in Two Childbirth Films," ''Film quarterly: forty years, a selection,'' University of California Press, p536-541〕 The film, which involves painting and hand-scratching over photographic images,〔Peterson, James (1994) ''Dreams of chaos, visions of order: understanding the American avante-garde cinema,'' Wayne State University Press, p63-4〕 is more abstract than the director's earlier ''Window Water Baby Moving'', which documented the birth of Brakhage's first-born, Myrrenna.
==Production==
Stan Brakhage felt that ''Window Water Baby Moving'' had insufficiently captured his emotions at the birth of his child, and intended ''Thigh Line Lyre Triangular'' as an improvement.
Only at a crisis do I see both the sense as I've been trained to see it (that is, with Renaissance perspective, three-dimensional logic, colors as we've been trained to call a color a color, and so forth) and patterns that move straight out from the inside of the mind through the optic nerves - spots before my eyes, so to speak - and it's a very intensive, disturbing, but joyful experience. I've seen that every time a child was born .... Now none of that was in WINDOW WATER BABY MOVING; and I wanted a childbirth film which expressed all of my seeing at such a time.〔〔''Brakhage Scrapbook: Stan Brakhage Collected Writings 1964-1980,'' edited by Robert A. Haller (1982) New York: Documentext, p253〕
Like many Brakhage works, ''Thigh Line Lyre Triangular'' is a silent film.〔 Unlike ''Window Water Baby Moving,'' it was photographed in a hospital.〔 The camera films Jane Brakhage's face and vulva from a low-angle shot near her feet.〔Sally Banes (1993) ''Greenwich Village 1963: avant-garde performance and the effervescent body,'' Duke University Press, p229〕 A layer of paint and deliberate scratches on the surface of the film render the birth itself almost unintelligible.〔Peterson, James (1996) "Is a Cognitive Approach to the Avant-garde Cinema Perverse?", ''Post-theory: reconstructing film studies,'' University of Wisconsin Press, p111〕 Brakhage himself does not appear in the film, as he intended to "() the occasion in my own eyes."〔
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